Wednesday 14 November 2012

Retracing London's drovers' roads


I'm happy to report that Howard Miller and I have been included in an exhibition of ideas for the Landscape Institute's High Line for London competition for our shortlisted entry Retracing London's drovers' roads: From Hackney to the City. You can see the exhibition at London's City Hall until the end of November.


Drovers' Roads were a network of ancient routes that were used to move livestock on foot from pasture to market. From 1300 to 1900 sheep, cows, and turkeys where driven from Wales and Scotland to London. On route, drovers would stop on rich commons to fatten their animals up for market. These routes still exist in London; many are still popular desire lines for those on foot. We focus on the route from Hackney to Bishopsgate (the entry point into the City) and propose a pattern book of components to retrace and reinterpret the drovers roads by creating:

Landscapes of living heritage; that playfully recall the route's previous use and serve as a reminder that London's food supply is as reliant on its networks now as it was then. Certain elements are inspired by drover folk-lore: Rowan trees were considered lucky.

Spaces for slow activities; drovers traveled slowly along their routes to keep their cattle healthy; people need slow places too; to read, explore, graze and play. We propose permeable paving with hoof shaped holes to allow soak-away drainage. The plodding footsteps set the pedestrian tone for this green route.

Green systems put to work; we propose to fuse hard and soft landscape elements that are traditionally separated: trees double as way-finding devices; paving is both a hard walking surface and a growing medium. Plant species are selected for biodiversity, trample resistance and to align with the concept; many of the plants have seeds that are transferred by animals.


Housing, Utopia and the 2012 Olympics



The fantastic artist Hilary Powell and academic Isaac Marrero-Guillamón have just produced an edited volume The Art of Dissent: Adventures in London's Olympic State. The book, which has been beautifully illustrated by Hilary Powell, includes critical responses to the Olympics from artists, writers, film makers, academics and photographers, with contributions from amongst others, Iain Sinclair, Lara Almarcequi and Chris Dorley-Brown.

The piece I wrote for the book with Duncan Hay  focuses on Holden Point, a 22 storey block of sheltered housing on the Stratford side of the Olympic site, and which is also the location of the Olympic Park Viewing Platform. As such, it has played a role in creating a particular image of the Olympic site for visitors and residents. It also embodies the starkness of the contrast between the huge investment in the Games and the lack of investment in the deteriorating estates that surround it. Housing schemes such as Holden Point were themselves built on the basis of the promise of a better life for their prospective inhabitants. Through a collage of the different representations of the past and future developments around the Olympic site, historical research and prose, we question whether the utopian promise of the Olympics, or indeed the utopian aspects of the post-war social housing schemes around the site, can hold good.  

If you're interested in reading more you can buy the book here.